Tag Archives: Issue 78

Pushcart Prize Nominee: Paul Robert Chesser

15 Jan

the minnesota review is pleased to feature each of our nominees for the 2012 Pushcart Prize in the coming weeks.  This week we are excited to bring you an excerpt of Paul Robert Chesser‘s “Widening Gyre.” Please check back next week for more on our nominees and their work.

The Widening Gyre

Gyrfalcon (Falco rusticolus):
 An Arctic bird of prey of the family Falconidae, the gyrfalcon is the world’s largest falcon with an adult height of two feet (60 cm) and a five-foot (160 cm) wingspan. The species’ diet consists chiefly of other birds, normally taken on the wing. They kill cleanly, breaking the back of the victim.

When I was twelve, I fell in love with Maude Butler from my English class, and my father bought me a Daisy BB rifle, took me in the back- yard and showed me how to shoot sparrows as he stumbled over the birds and bees. I wouldn’t kill them, and he said that was why I’d never kiss Maude Butler. When he went inside, I found the nest of parentless eggs in the mulberry tree. Hiding behind the wisteria bushes, I thought of Maude’s pink lip balm as I threw the eggs in the air and tried to shoot them. I think I wanted to find something inside, embryonic, glimmering and featherless, captured in flight, if just for a moment. I was too slow to aim, and the small eggs cracked against the grassless dirt near the fence. My father walked out again and found me squatted over them, looking at their insides. I can’t recall if either of us said anything then, when we looked at each other, but he let me keep the gun. I know I’ve never talked to you about my father before, nor anyone really. Maybe the way things have evolved, maybe now, maybe it makes a difference.

A few weeks later, he showed me how to balance an egg upright on the kitchen counter. We got out the carton and stood them up in a little breakfast platoon and he bet me five dollars I couldn’t do the same thing the next Sunday. He quietly took my money and made me clean the yolk and broken shells. I didn’t figure it out for years. I don’t think he and I ever really let me love him, and for years that was at the center of my world.

The last time I saw him, ten years ago, he was kneeling in prayer on the banks of a pond in Cypress Park, four blocks away from the house where he began to raise me. The gulls swooped over the water and caught silvery things in their mouths. He knelt there, head bent, his back to me. He couldn’t have known then how sick he was.

“Widening Gyre” was first published in issue 78 (Summer 2012) of the minnesota review. Paul Robert Chesser studied writing and literature at the University of South Carolina Aiken and Texas Tech University.  Recent publications featuring or due to feature his work include Copper Nickel, Nashville Review, Underground Voices and others.  Chesser lives in Lubbock, Texas. You can read the rest of “Widening Gyre” by accessing our online archive at Duke University Press, available here.

An Interview with Alan Britt

29 Aug

Alan Britt’s “Ebb and Flow” is featured in our current issue (78). Alan Britt teaches creative writing, poetry, and composition at Towson University and is the author of Vermilion (The Bitter Oleander Press: 2006), Infinite Days (The Bitter Oleander Press: 2003), Amnesia Tango (Cedar Hill Publications: 1998), and Bodies of Lightning (Cypress Books: 1995). This interview was conducted by the minnesota review’s Meaghan Russell.

tmr: In the forward to your most recent collection, Alone with the Terrible Universe, you express a desire to “keep the garden [of poems] devoid of sentimentality, that sweetest of illusions, at all times.” Would you discuss why you wanted to avoid sentimentality in this collection? Our poetry workshop group recently read an article (http://aboutaword.org/2012/02/12/kevin-prufer-on-sentimentality-and-complexity-2/) in which Kevin Prufer defines sentimentality as “reducing an emotionally complex situation into an emotionally simple one.” What are your thoughts on sentimentality and emotion (as you define these) in poetry?

(Pruffer explains, “reacting to sentimental war propaganda, the Modernist poets abhorred sentimentality as a political position.  Sentimentality, they said, was dangerous because it lured us into stupid (often war-like, often fatal) emotional responses.  Sentimentality swayed the masses into violence.  Today, we have inherited their suspicion of sentimentality, but not their understanding of it.”)

AB: Kevin Prufer hits it square, reducing complexity to a lazy simplicity: sentimentality’s auto-affection for baseball players regardless of shenanigans off the field, plus the flag. Baseball players don’t always behave and neither does the flag, but we vote them both into halls of fame just the same. Sentimental emotion is tempting and sweet but tends to smear the lenses. Sentimental emotions are handed down, passed down generation to generation without question, borrowed, so to speak. And borrowed emotions are dangerous for poetry.

tmr: You have described yourself as an Immanentist. Would you briefly explain this view and how it influences your writing?

AB: (…a living linguistic reality…not something like a butterfly with a pin through its body…As one reads, the poem flutters. —Duane Locke)

That definition by Duane Locke has been a guiding principle for me.  Duane’s quote covers the linguistic side. The rest of Immanentism came from an intense interest in nature, often identifying oneself with a lusty pine cone or gold rings around a bumble bee, often linguistically fusing oneself with these terrestrial miracles.  Language creates experience: verbs like charged ions, adjectives with scales.  At times language can create a wholly unique intellectual and emotional sensation that doesn’t involve borrowed emotions. Easy to say, hard to do.  Frankly, I enjoy many types of poems. If the poem engages me, I’m happy.

tmr: Do you have any advice for beginning writers?

AB: That advice never changes: read, observe, write, read, observe and write some more.  Fall in love.

tmr:Where can we find more of your work?

AB: A recent book, Alone with the Terrible Universe, is available from http://www.bitteroleander.com/

tmr: Parting thoughts?

AB: Write your hearts out.  We’re all in this together.

Meaghan Russell was just startled by a boxelder that flipped from her poetry notebook, unfazed, and without comment. She wears boots.

Interview: Brad Green (Issue 78)

19 Jun

Brad Green’s “Devil’s Fingers” appears in our current issue (78). His work can be found in The Texas Observer, Surreal South ’11, Needle: A Magazine of Noir and elsewhere. He edits at PANK magazine and Dirty Noir. Find him online at http://about.me/bradgreen.

tmr: How did you come to writing fiction?

BG: I’ve been writing fiction seriously (that is with an aim toward publication) for a little over four years now. Of course, I wrote prior to that: a novel set on a desert planet I furiously typed on a brown Corona after reading Dune when I was eleven, an effusive and self-indulgent seventy thousand word memoir I wrote in a month while waiting in a cold Colorado room for an apple-eyed girl to fulfill a promise she never would. Wild texts full of stringy philosophy and screeching language. Aborted attempts and various scribblings. The sorts of things most writers churn through. But then I stopped writing one day. Perhaps it was frustration. Perhaps it was getting married, having kids. I don’t know, but I didn’t write a word for twelve years. I didn’t even read anything but Star Wars novels and computer books. Continue reading 

Issue 78 Out June 1

29 May

We’re happy to announce that Issue 78 will be available this Friday, June 1!

Issue 78 features work from the following authors:

  • Valerie Bandura
  • Janée J. Baugher
  • Timothy Brennan
  • Alan Britt
  • Paul Robert Chesser
  • Rob Cook
  • Emily Brown Coolidge Toker
  • Jesse Damiani
  • Jennifer Duprey
  • Brad Felver
  • Amy Fleury
  • Brad Green
  • Kimiko Hahn
  • Scott Hightower
  • Fredric Jameson
  • Adrian Matejka
  • Cate McLaughlin
  • Andrew McSorley
  • Mohammed Abdullah Hussein Muharram
  • Rita Raley
  • Michael Martin Shea
  • Rob Stephens
  • Marcela Sulak
  • Antonio Y. Vázquez-Arroyo
  • Maria Whiteman
  • Robert Wrigley
  • Dean Young

There are several ways you can read the issue:

  • If you already have a subscription (including institutional access), you can read it online here.
  • You can also purchase a subscription or individual copies of the issue through the Duke University Press website.

We’ll also be featuring short interviews with several authors from the issue in this blog over the next few weeks. We hope you enjoy the issue!

Issue 78 Preview

1 May

Issue 78 will be out soon, and we can’t wait to share it with you. In the meantime, here’s a preview of the authors whose work will appear in the issue:

Creative

Dean Young:   Go On Too Long
Adrian Matejka:   Radio Astronomy
Jesse Damiani:   First Grade
Robert Wrigley:   Salvage
Robert Wrigley:   Good Bones
Valerie Bandura:   Step Right Up
Brad Felver:   Unicorn Stew
Marcela Sulak:   Ecclesiastes
Rob Cook:   The History of the Lost Voices
Rob Stephens:   Fugue in Rob # Minor
Kimiko Hahn:   Ode to Home
Kimiko Hahn:   The Solitary Adelie
Scott Hightower:   Serai
Andrew McSorley:   Hunting Poy Sippi Swamp
Paul Robert Chesser:   The Widening Gyre
Cate McLaughlin:   In the Drink
Cate McLaughlin:   Ingredients for the Unmaking
Michael Martin Shea:   Eight Months in Buenos Aires as Still Life with Skull
the minnesota review loves
Amy Fleury:   The Fort
Janée J. Baugher:   What Children Know
Alan Britt:   Ebb & Flow
Brad Green:   The Devil’s Fingers

Revaluation

Maria Whiteman:   Taxonomia: A Photo Essay

Interviews

The Theory That Lives On — a Counterintuitive History:
An Interview with Timothy Brennan
Imagining a Space that Is Outside: An Interview with Fredric Jameson

Surveying the Field

Jennifer Duprey and Antonio Y. Vázquez-Arroyo:
Binding Violence or the Valences of Political Power
(on Moira Fradinger, Binding Violence: Literary Visions of Political Origins)

Special Focus: Global English

Rita Raley:   Another Kind of Global English
Emily Brown Coolidge Toker:   What Makes a Native Speaker?
Nativeness, Ownership, and Global Englishes
Mohammed Abdullah Hussein Muharram:
The Marginalization of Arabic Fiction in the Postcolonial and World English Curriculum: Slips? Or Orientalism and Racism?

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